Bryan Alkemeyer, PhD

Animals in Literature

Dogs' noses are to ours as a map of the surface of our brains is to a map of the surface of an egg. A dog who did comparative psychology might easily worry about our consciousness or lack thereof, the way we worry about the consciousness of a squid.
—Vicki Hearne, Adam's Task: Calling Animals by Name [1986], Skyhorse, 2007, p. 79.
Dossi's painting Melissa

Dosso Dossi (1489-1542), Melissa. Photo © Galleria Borghese, Rome. https://galleriaborghese.beniculturali.it

When claiming that authors personify animals, what do readers assume about differences between humans and other creatures? This course evaluates poetry, drama, and prose in terms of debates about each genre's human-centeredness. With a prominent theorist, we will wonder whether poetry offers more substantive thinking concerning the animal than Western philosophy (Derrida). With a contemporary scholar, we will consider how plays featuring animals might modify drama's reputation as the most anthropocentric of the arts (Chaudhuri). Finally, with a literary historian, we will analyze how realistic novels supplant forms friendlier to animal characters (Boehrer). Featured texts include poems by Atwood, Angelou, and Rilke; Shakespeare's The Two Gentlemen of Verona; Shaffer's Equus; and Høeg's The Woman and the Ape.